Japanese broadcasting fashion rose rapidly on March 13th.

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Upstream Fashion | Four classic styles popular this year, whoever wears them is fashionable.

Changes in the new year and season,

It deeply affects our choice of clothing.

As Lin Fengjun said:

"When we choose a dress,

We don’t choose the clothes themselves,

But the inner cultural identity and spiritual belonging. "

Clothing is not only an external manifestation,

It also represents your attitude towards life and the world.

In dressing and matching,

butAlways get lost between style and fashion.

Lost self, lost style.

For this,

French fashion editor CamilleCharriere

I once said my own collocation concept:

"Just watch the popular elements at the fashion show.

Then integrate the details into the daily items. "

This may be the best balance between the two,

Substitute popular elements into the details of wearing,

You can follow the fashion on the basis of adhering to the style.

So,

Let’s take a look first.

What are the popular styles this year ~

one

Lightweight feminine style

Keywords: lace, tassel, sequins, perspective elements.

The light feminine style popular this year,

Can be elegant and elegant in tulle and tassel,

You can also be low-key and luxurious in lace and bead diamonds.

You can also show off your personality in sequins.

Wear this style well,

It can be disassembled in two parts.

//Visual lightness

Throughout the major shows of this spring and summer fashion week,

Fringe element is one of the trends that cannot be ignored.

Dotted on the clothes,

You can achieve the effect of lightness of vision.

With the swaying pace,

Full of freedom and freedom.

//Lightness in material

Light materials such as tulle and lace,

If it is fascinating and fascinating,

You can easily wear a fairy romance.

Sequins, beads and diamonds,

It is also very suitable for deducing the light feminine style.

What it conveys is,

Gorgeous and elegant dress language.

Just put a set of matching

Replace any one with sequins and beads,

There is just the right high-profile fashion.

It should be noted that,

Proper skin exposure can wear a sense of lightness.

Chanel2023

2

Balletcore ballet style

Key words: ballet shoes, pile socks, gauze skirts, straps

Balletcore ballet style,

It is a new style inspired by ballet costumes.

Its elegant style is highly sought after by young people.

It provides an unprecedented new idea for the Z era.

After MiuMiu set ballet shoes on fire in the fashion circle,

Everything about ballet has never left.

The combination of ballet shoes and pile socks,

Become one of the most popular items recently,

Elegant and stylish street feeling.

Overskirt, a ballerina, is also active in the field of vision.

Satin fabric wrapped in overskirt,

Paired with daily OOTD,

Suitable for girls who take the pure route.

After entering daily life from the stage,

Ballet skirts are no longer constrained by "tight" constraints.

Loose and redundant a-shaped version,

Not only retains the essence of Balletcore ballet style,

It is also more comfortable and free to wear.

When ballet elements meet everyday wear,

You can also interpret different styles,

Workplace ballet style and leisure ballet style …

Comfortable and elegant atmosphere of ballet,

Would rather be hugged by girls,

This has naturally become a new fashion trend in the spring and summer of 2023.

three

Cute and sexy style

Keywords: Y2K Millennium wind, mini skirt, blouse, overalls.

Cute and sexy,

As the name implies, girlish and sexy coexist.

And the cuteness of a girl,

Without losing the sexy of a mature woman,

Perfect combination of these two styles,

Release a different unique temperament.

In AlessandraRich’s 2023 ready-to-wear collection,

Combining girlish style with sexy style,

No matter the details and colors of dreams,

Or a sexy topless blouse,

It reveals a dramatic tension.

AlessandraRich2023

Wear a cute and sexy style,

In the choice of color,

Mainly bright and bright colors in spring and summer,

More aging and cute;

In the design of modeling,

Short coat and low waist elements are a highlight.

With fresh colors, details,

You can collide with the cute and sexy wind of contrast.

If you have friends who are worried about your body,

You can also choose wide-leg pants with high waist.

four

Science fiction futurism

Keywords: Cyberpunk, tough silhouette, metallic texture, functional skirt.

To say that the representative of science fiction futurism,

LV must have a place.

At the just-concluded Paris Fashion Week,

Liu Yifei, Zhou Dongyu, Gu Ailing, etc

All dressed in branded silhouette jackets.

In a rapidly changing era,

Looking back and looking to the future,

It has become the key for us to maintain the "sense of the moment" and "certainty".

LouisVuitton has also been committed to,

Awaken our perception of time through sci-fi futurism.

Use a lot this season

The avant-garde of science fiction has a sense of silhouette, grotesque elements,

And classical leather and heavy industry embroidery.,

Re-juxtapose "future" and "past"

Louisvuitton2023

A sense of upright silhouette architecture,

Just as femininity does not need to follow established rules,

It has its inherent vigorous strength.

The exaggerated belt and zipper match it.

Collision with rebellious street temperament,

Break the conventional feminine image.

Changing fashions,

Like a dreamer.

It’s confusing but colorful,

And how to choose and choose becomes.

A mark that distinguishes it from others.

Life is a journey full of unknowns,

Don’t stick to a fixed route,

Maybe in the choice again and again,

Discover more amazing beauty,

Can in the tide change,

Know more about what you want to be.

Have you found your own style? Let’s talk in the comments section!

Editor Peng Mengyao

Editor-in-Chief Li Yiyi

Audit Liu Min

Spy war drama is difficult to do, how to produce explosions one after another?

>A new name-"Rebel" has been added to the spy war drama with more than 8 points.

>It is well known that the creation of spy war dramas is difficult. In the past, high-rated works such as "Hidden" and "Cliff" weighed down on the creator’s mind like mountains, and later, the audience’s high expectations, as well as the high requirements of paying equal attention to the transmission of core values and the rigorous and beautiful story. Compared with costume dramas and urban dramas, the output of spy war dramas in the whole industry is not too high, and good works are rare.

>In 2013, screenwriter Li Xiaoming began to adapt the novel The Rebel. It was not until 2021 that this drama series, which was produced and produced by Xinli Media, met the audience. It took writers, directors and other creative writers eight years to create a spy war drama, which not every film and television company could insist on and complete.

>Looking back at the previous works of Xinli Media, Cliff with a score of 8.5, Kite with a score of 8.8, and Sting, which stands out among a number of new types of spy war dramas, so frequently produce high-quality works in the content field of spy war dramas, perhaps there are more stories and experiences behind Xinli Media.

> Rating of Rebel, Cliff and Kite as of press time

Why can Rebel break through?

>Most of the stories of spy war dramas begin with undercover. Some underground workers with dreams are passing on information under many difficulties, while the audience is watching for victory in the thrills. However, The Rebel is a work that completely subverts the audience’s inherent impression of spy war dramas.

>"The Rebel is more about the story of Lin Nansheng’s growth, choice and belief under the background of the Anti-Japanese War and national survival." The person in charge of Xinli TV told.Yuli studioThe code name "postman" runs through the whole play, but in the end, the audience will find that "postman" is not a specific person, but a belief. All the sacrifices and bloodshed in the play are protecting the postman, as well as protecting the party and protecting their inner pursuit and yearning.

>There is such a sublime intention that "The Rebel" is destined to be different from the previous spy war dramas, because it is no longer just burying suspense, but paying more attention to drama and characterization of characters. "We are more paving the way for the feelings, changes and growth of the characters, as well as his choices in growth."

>Lin Nansheng has no resources and background. He is an excellent student in a special training school. He is born with sensitive insight, calm and introverted personality, and has the qualities that an intelligence officer should have. The Rebel didn’t give the protagonist a lot of golden finger scenes from the beginning, but it was closer to a newcomer who just entered the society in characterization. "Rebel" let the audience see Lin Nansheng’s inexperience, the pain of his choice, and that he eventually became an excellent revolutionary.

>Based on such a leading role, The Rebel is by no means a cool drama, and any character in the play does not depend on the existence of the leading actor. On the contrary, it is these supporting roles that influence the choice of the leading actor, and it is also because of the influence of these characters that Lin Nansheng’s ideological transformation is more natural.

>The innovation of stories and people’s designs needs a suitable actor to present them.Responsible for Xinli TVPeople have a good eye on Zhu Yilong. "Zhu Yilong is different from the idol in the traditional sense. In his previous works, whether he is the protagonist or not, he has strong performance ability, and his temperament conforms to the image of Lin Nansheng."

>Lin Nansheng’s inner play is very difficult. There are many scenes in the play that have no lines, and actors need to perform to show that kind of forbearance, restraint, pain and wandering thoughts. "Zhu Yilong’s eyes can talk and have content, which is very important."

>Plus Zhu Yilong’s literary temperament, "We know that he studied piano and chatted when we met, and he also told us about the movies he had seen, which in itself matched Lin Nansheng’s temperament. The opening song of "Rebel" is "Boat Song in June" played by Lang Lang, and we are also pursuing the literary quality of this work. Such a title song actually reflects the confusion of the characters in that era from the side, but finally found their own direction. " The person in charge of Xinli TV told.Yuli studio.

Respect the law of creation and don’t innovate for the sake of innovation.

>From the audience’s point of view, the Rebel has made many adjustments and innovations in the big category of spy war dramas, but in fact,Responsible for Xinli TVhumanIt seems that its innovation is still based on respecting the direction of content-spy war drama is already a mature theme, and it has its own creative rules to follow.

>"In fact, when we look back at these high-scoring spy war dramas, we will find their common characteristics-they must have a higher spiritual level of conception and pursuit, and faith must be able to stand in the drama. The spiritual core of spy war dramas is the glory of faith and humanity."

>For example, in "Kite", Zheng Yaoxian was still a staunch believer in communism when all his superiors died and no one could prove his identity. The same is true of Cliff. Zhou Yi did not hesitate in the face of life and death. He would rather die than be a traitor. This indomitable core attracted the audience’s spiritual strength. This spiritual power is displayed from the plot and sublimated in the plot. Perhaps after many years, the audience may not remember the specific story, but they will certainly remember people like Zheng Yaoxian and Zhou Yi under the influence of this force.

> Top: Kite, in which Liu Yunlong plays Zheng Yaoxian.

>Next: On the Cliff, Zhang Jiayi plays Zhou Yi.

>From Cliff and Kite to Scare and Rebel, Xinli Media has accumulated a lot of experience in the creation of spy wars.Responsible for Xinli TVhumanIt also summarizes the rules that need to be followed at the level of content production when trading spy war dramas:

>First, respect the audience of spy war dramas. In fact, the cultural level and aesthetic ability of the audience of spy war dramas are relatively high, so the script logic should be rigorous, and it should be developed around the glory of faith and human nature, and the content should be realistic and reductive.

>Second, the production should follow the unity of this type of content, including light and shadow, mirror movement and color, which requires high performance of actors. All actors are under the same performance system, and the performance methods should be unified, with original lines and no dubbing.

>Third, the service of morality and beauty should be unified and restored. Clothing, in particular, must be very strictly restored to what it should look like in the background age of the story, and the format of the clothes cannot be wrong.

>Fourth, choose the right protagonist. The spy war drama has very high requirements for the protagonist’s performance, and the most important representative work of many actors is also the spy war drama. A good spy war drama can make the market and the audience feel the charm of the actors. Similarly, whether the protagonist of a spy war drama is popular because of his role is also one of the criteria for judging the broadcast of a spy war drama.

> rebels, Zhu Yilong, Tanya.

>"The spy war drama can’t be innovated casually. In fact, we have always been creating according to the law, respecting historical facts, telling stories, feelings and spirits seriously. In terms of clothing, music and photography, everything is done according to the law. Don’t mix and match, but be more rigorous."

>Responsible for Xinli TVhumanIt is believed that the script creation of an excellent spy war drama takes at least three years, and it is basically an "orphan". The success of spy war drama lies not in great innovation, but in respecting the law and intention.

Do not follow the trend, there is improvement.

>Although the spy war drama is difficult, it still has its market value. It is what Xinli Media has been doing to tap this value. For spy warfare, having rich creative experience is the greatest advantage. Work hard on the script, high aesthetic standards, proper casting and proper details can add up to the project.

>"Until now, in the creation, we are all very High and very serious. For example, when the poster team comes up with a plan, we will all ask for old photos and historical materials that conform to the time node for reference. What kind of expressions, hats and costumes were worn by the characters at that time, we will restore them through performances and cultural roads. We have never regarded any work as an assembly line product, nor will we deliberately pursue market popularity. Only a good story and a good script will we be willing to pay time for it. "

>Not afraid of slowness is also a feature of Xinli Media. "We can’t speed up, we still have to shoot one work and leave one."Responsible for Xinli TVhumanSaid, "every play of the company has to be revised at least four or five times. We don’t pursue speed, but we demand quality."

> The Rebel, Zhu Yilong

>Cao Huayi, the chairman of Xinli Media, has been working in the publishing field in his early years. This experience has given him content sensitivity and judgment, and also laid the aesthetic benchmark for Xinli Media’s content. In addition to the content, he is also constantly exploring new creative talents to join the creation, and the director Zhou You of The Rebel is an example.

>Zhou You is a serious young director, who has no experience in creating spy war dramas before. However, Cao Huayi and his creative team found that he was very logical. The most important thing was that he was persistent and enthusiastic about stories and works, and he also had a strong grasp of details.

>"Before the boot, after Li Xiaoming, Qin Wen and other screenwriters laid a solid foundation for the script, Director Zhou You took the screenwriter to participate in the creation of the second half of the script, which made the whole story look like today."Responsible for Xinli TVhumanExpress.

> "Rebel" set, Zhu Yilong, Wang Yang

>Using the right people and doing the right things, this methodology is also applicable to Xinli Media’s choice of its own behind-the-scenes team.Responsible for Xinli TVhumanFor example, "Director Sun Hao was a fan of the original book before filming Joy of Life, so when he found a new beauty, his desire to create was already very strong. Love is the first, which is what we value most when building the main creative team. "

>In addition to the persistence in creation, the promotion in publicity is also particularly important. "The promotion of" Rebel "is actually closely following social media. Whether it is the creation of the script or the later announcement, it is closely following and respecting the current social values."

>The spy war drama is not a particularly popular type in the film and television drama market, but it is just needed by the audience. Xinli Media continues to deepen its cultivation in the field of spy war drama, but it is not just doing this category of works. "We are still doing, still insisting, but we are not good at it, so we will study carefully first."

>Willing to invest, but not making ineffective investment; Understand the market, but don’t cater to the market. No one can fully predict the audience’s preferences, but they can ask for their own creative attitude and way.The success of Rebel is not accidental, nor is it a gamble, but a product of Xinli Media based on its own creative experience and strict compliance with creative laws.

>From the end of last year to the present, Xinli Media has gained many explosions in addition to The Rebel, such as My Husband, last romance and Douluo Mainland. It can ensure the success rate of the works on the premise of exploring multiple themes, and perhaps it is also inseparable from Xinli Media’s understanding of the content and its compliance with the creative rules.

Bosideng: Writing fashion professionally brings infinite surprises to consumers around the world.

As a world-famous down jacket brand, Bosideng has always won the love of consumers all over the world with its excellent quality and unique design. Bosideng’s recently launched year of the loong series down jackets have brought surprises to consumers all over the world. Bosideng has always regarded professionalism as the core value of its brand. In the field of down jackets, Bosideng has won wide acclaim from consumers for its extreme pursuit of details and strict control of quality. From material selection to production, Bosideng insists on using high-quality materials and creates warm and fashionable down jackets through fine craftsmanship.

In order to ensure the warm performance of down jackets, Bosideng carefully selects high-quality goose down from world-famous goose down producing areas. These goose down have been screened, classified, cooled and dusted, disinfected at high temperature, strictly cleaned and purified, which ensure the purity and high quality of down. At the same time, Bosideng also adopted advanced warm-keeping technology, which made the down jacket still give the wearer a warm and comfortable experience in the cold winter.

In terms of fashion, Bosideng is constantly innovating, breaking the shackles of traditional down jackets and integrating fashion elements into them. Year of the loong series down jackets are Bosideng’s model of combining traditional culture with fashion elements. Inspired by the beginning of heaven and earth, combined with the concepts of Jiachen, Zodiac Dragon and the state of dragons in different seasons in historical allusions, the design concepts of "Hidden Deep" and "Ascending Cloud" are refined as this joint series. By skillfully combining dragon patterns with fashion elements, Bosideng has brought consumers a down jacket with profound cultural heritage and a sense of fashion.

Bosideng not only performs well in design and warmth retention, but also has a sense of science and technology in its production process. In the traditional down jacket production process, the filling process is often full of flying flocs, but the filling room in Bosideng is clean and orderly. This is because Bosideng adopts intelligent filling equipment. By uploading the filling data through the system, the machine will automatically grab the data and complete the filling process. This intelligent production method not only improves the production efficiency, but also ensures the quality of down jackets.

Bosideng’s professional strength has been widely recognized. In the brand value evaluation in 2023, Bosideng was selected as one of the "500 Most Valuable Brands in China" by virtue of its outstanding achievements in brand building and innovative practices in various fields, and its brand value evaluation reached 88.569 billion yuan, ranking 76th. This honor not only reflects Bosideng’s brand strength and influence, but also shows its leading position in the textile and garment industry.

Bosideng’s success can not be separated from its persistent innovative spirit and deep insight into consumer demand. Continue to innovate in down jacket technology, fabrics, styles and other aspects, and promote the transformation of down jackets from a single warm-keeping function to technology and fashion. At the same time, Bosideng also actively participates in various heavyweight brand activities, such as New York Fashion Week, Milan Fashion Week, London Fashion Week, etc., and continuously deepens consumers’ awareness and reputation of Bosideng brand down jacket experts through large-scale brand promotion, visual presentation upgrade, enhanced communication content, and product promotion and sales interaction.

Bosideng down jacket has been leading the market in China for 28 consecutive years, and it has been the only representative of China’s winter clothes to release the fashion trend to the world for 26 consecutive years. Behind these honors and achievements is Bosideng’s ultimate pursuit of quality and constant persistence in innovation.

Bosideng has brought infinite surprises to consumers all over the world with its professional technology and innovative design concept. Bosideng has demonstrated its excellent quality and unique charm in terms of warmth and fashion. In the future, Bosideng will continue to deepen the continuous innovation in the field of down jackets and bring more and better products to consumers.                                         

For the first time, China Air Force joined naval air force to participate in international military competition.

Xinhua News Agency, Ryazan, Russia, July 27th (Huang Shubo, Pei Shaohua) Eleven China Air Force and two Navy military aircraft all arrived at Gargilevo Airport in Ryazan, Russia on the 25th, and jointly participated in the "International Military Competition -2019" and "Aviation Darts" for the first time, which became a highlight of China’s military going abroad.

According to Dong Li, Deputy Chief of Staff of China Air Force, the "International Military Competition -2019" and "Aviation Darts" project will be held at the "Du Burovic" shooting range in Ryazan, Russia, and China Air Force will compete in four groups: fighter group, bomber group, long-range aviation group and transport group. Among them, China Air Force Aviation and Navy Aviation participated in the bomber group project competition at the same time, which was the first time that China’s air force and navy competed with other countries’ troops on the international military competition stage.

Dong Li said that with the establishment and improvement of the new pattern of China Military Commission’s general management, theater main battle and service main construction, the exchange activities between services have increased year by year, such as the participation of naval aviation in the air force’s "golden helmet" competitive assessment against air combat and the air force’s participation in the navy’s actual live-fire exercises, and the exchanges between services have gained a lot. This cross-border transition of air and naval aviation formations indicates that the China Army has the ability to organize joint forces of services to go abroad to carry out tasks, and also shows that the level of joint training of air and naval forces has been improved.

"International Military Competition -2019" will be held in early August. Ten countries including Russia, China and Kazakhstan will jointly host 32 events. It is estimated that 216 teams from 34 countries will compete on the same stage. Among them, China’s army will participate in 16 events, and the Air Force will also participate in the "Airborne Platoon" event held at the "Redwood Boat" shooting range in Pskov, Russia.

Looking forward to "responsible AI" from vision to reality

  Liu Haiming (Professor and Doctoral Supervisor of Chongqing University)

  This year’s "Government Work Report" of the State Council clearly stated: formulate policies to support the high-quality development of the digital economy and carry out the "artificial intelligence+"action.

  AI technology is empowering various fields, and the resulting economic and social benefits are also considerable. In the iteration of AI technology, no one can accurately predict how much potential of this kind of technology has not been tapped. While AI scientists continue to make agents more "smart", the security issues related to this technology have also become a public topic.

  At the National People’s Congress this year, Qi Xiangdong, a member of Chinese People’s Political Consultative Conference, paid attention to the innovation and development of "AI+ security", and gave detailed answers on how to deal with information security and cyber security threats in the AI era. Sharla Cheung, a deputy to the National People’s Congress, proposed to strengthen the safe application of artificial intelligence technology, accelerate the legislation of the Artificial Intelligence Law, and build a security barrier for key information infrastructure.

  The suggestions put forward by the deputies for the safety of artificial intelligence applications may rise to the mandatory protection of the safe application of artificial intelligence through legislation. This also shows that a consensus on the safe application of artificial intelligence is taking shape.

  Just last week, Musk filed a lawsuit against altman and OpenAI, accusing the defendant of forgetting the core part of OpenAI’s established mission, that is, developing useful and harmless artificial general intelligence. Facing the accusation, altman promised that OpenAI’s mission was to "ensure that artificial intelligence benefits all mankind".

  The anxiety and anxiety about the application of AI technology coexist at home and abroad, which is the normal consideration of human beings for their own interests and security. People put forward the vision of "responsible AI", which also aims to relieve the worries of applying this technology. As for why such worries are difficult to rule out, it lies in the uncertainty of its future development, which makes more people worry. Some people even think that "from the development of AI, we can see how small human capabilities are, and it is only a matter of time before machines surpass people."

  The biggest hidden danger in the world is ignorance or indifference to risks. When the safety of artificial intelligence has become a global public topic, there are many voices at home and abroad to legislate for the development of artificial intelligence. This sense of hardship is gratifying. Since the sense of urgency has generally awakened, when the whole society holds a "so-called" attitude towards the security of artificial intelligence, why not worry that "responsible AI" will not turn from a vision into a reality?

  To turn "responsible AI" from a vision into a reality, it needs to go through an indispensable trilogy, and gradually implement it from the most basic safety awareness to specific actions in pursuit of safety.

  From vision to reality, "responsible AI" requires human beings to know what true self-love is. Artificial intelligence technology is an invention of human beings, and the value of agents lies in benefiting human beings. The more useful it is to human beings, the more worthy of being loved by human beings. To do this, it is very few scientists who need to love themselves and master the iterative "button" of AI technology. Such "leaders" really know how to love themselves, that is, their inventions deserve to be loved by the world, and they deserve to be loved by others because of their technical contributions.

  Judging from Musk’s legal challenge to altman, the significance of this lawsuit lies in teaching the technical "head" who has mastered the "button" of AI development to learn true self-love. They know true self-love, and the public’s worries about the safety of AI technology are much less.

  From vision to reality, "responsible AI" requires human beings to know what real self-discipline is. Self-love is formed in the process of self-control, and a person who loves himself morally must be a truly self-disciplined person.

  "Responsible AI" has become a global public topic, because people who master the "button" of AI development technology pursue technology iteration in technology research and development, which invisibly ignores the consideration of AI security issues. Without such security considerations, the speed of AI technology has gone up, but this technology may also be out of the moral reins, forgetting that technology is to benefit human society, not to add to human society.

  Self-discipline is the rule that people make for themselves. In the AI technical team with self-discipline, "responsible AI" means that the design of agents must be equipped with heavy security constraints. Once an agent has the possibility and risk of hurting human emotions or interests in operation, it must be able to stop such behavior tendency. This tendency seems to be an agent’s own business, but in fact it can only be an agent designer’s self-discipline problem.

  Only those who create agents are strict with self-discipline, regard the safety of users as their own safety, and "don’t do to others what you don’t want them to do to you", can they make AI "responsible" first when designing agents.

  From vision to reality, "responsible AI" requires the whole society to have a sense of responsibility.

  Responsibility is a kind of compulsion. Through external legislation and effective litigation, institutions and individuals who do not know how to love themselves in technology research and development gradually learn to love themselves. Through moral consciousness, more researchers of artificial intelligence technology will establish a sense of responsibility for technological development, and more people of insight, including public figures like NPC deputies and CPPCC members, will constantly appeal to scientists, technical experts, entrepreneurs and the whole society to attach great importance to AI security issues. The stronger the sense of responsibility, the safer the future AI will be.

  To make AI "responsible", human beings need to consciously take responsibility first. The vision picture of AI security has been slowly unfolding, and it is not far to expect "responsible AI" to become a reality.

56 competition venues of Hangzhou Asian Games completed "Big Lotus" bloomed along Qiantang River.

  The Asian Games in Hangzhou will be held from September 10th to 25th this year. Yesterday (March 31st), Shaoxing Baseball Sports and Culture Center and Shaoxing Ke Qiao yangshan Rock Climbing Base passed the functional acceptance of the competition. So far, after nearly five years of construction, 56 competition venues of Hangzhou 2022 Asian Games and Asian Paralympic Games have been fully completed and passed the comprehensive acceptance of the event functions. Among the 56 venues that have been completed and accepted by the competition, the Hangzhou Olympic Sports Center Stadium, which hosted the opening and closing ceremonies and track and field events, has attracted much attention from the outside world. What is the current situation of this venue?

  First Prize of "Big Lotus" National Science and Technology Progress by Qiantang River

  The steel consumption of 28,000 tons is less than that of a stadium of the same size.

  Headquarters reporter Gao Wei:Hangzhou Olympic Sports Center Stadium looks like a "big lotus" from a distance. It consists of 28 petals of Da Lian and 27 petals of Nelumbo. In order to support this design, architects have made several rounds of optimization. After improvement, the steel consumption of Hangzhou Olympic Sports Center Stadium is only 28,000 tons, which is one third less than that of the same size stadium. Thanks to this design, Hangzhou Olympic Sports Center Stadium won the Luban Award, the highest award in the field of architectural design in China, and the first prize of national scientific and technological progress.

  It can accommodate more than 80 thousand people and will produce 48 gold medals here

  Hangzhou Olympic Sports Center Stadium can accommodate more than 80,000 people, where the opening and closing ceremonies and track and field events will be held. It is estimated that more than 700 athletes from 45 countries will participate here, and a total of 48 gold medals will be produced.

  The first batch of volunteers entered the venue for training.

  Today (April 1st), the "Big Lotus", which passed the functional acceptance of the competition, welcomed the first batch of volunteers to step on the spot and train. On the playground, volunteers are putting up street signs and run-up devices for track and field. In the audience, volunteers are practicing how to guide the audience to find their seats. Volunteers navigate through smart applets to help the audience find their seats accurately.

  Hangzhou Olympic Sports Center Gymnasium: Feel the wonder of "ice basket conversion"

  Green, intelligence, frugality and civilization can be said to run through all aspects of the construction of 56 competition venues in Hangzhou Asian Games. Hangzhou Olympic Sports Center Gymnasium is the venue for holding the basketball finals of the Asian Games. Let’s look for the "bright spot of wisdom" ↓

  A hockey game was held in this concrete field not long ago, and through one-click "ice basket conversion", ice events and basketball games can be seamlessly switched.

  From the concrete floor to the ice surface and then to the basketball court, the secret of realizing the "ice basket conversion" lies in the ice-making pipeline embedded in the underground of the venue. When ice is needed, the staff will install a circle of boundary wall in the site and continuously cool the ground inside the boundary wall through the ice-making pipeline.

  Liu Yang, a staff member of the Games Activity Department of Hangzhou "Asian Games Pavilion 3" operating company:The temperature of the concrete floor has dropped to MINUS 10 degrees Celsius or MINUS 8 degrees Celsius. As soon as water is spilled, it will freeze. The staff kept sprinkling water on it and then made ice. When the ice reaches the required thickness for the competition, the process of making ice is completed.

  When the ice competition is completed, the scene can quickly realize the "ice basket conversion" without melting the ice.

  Liu Yang, a staff member of the Games Activity Department of Hangzhou "Asian Games Pavilion 3" operating company:Just remove the boundary wall, then spread the thermal insulation carpet on the prepared ice surface, and then splice the basketball wooden floor on the thermal insulation carpet, so that this ice hockey venue can be transformed into a basketball competition venue, and the conversion can be completed in 6 to 8 hours.

  In addition to the efficient "ice basket conversion", the staff can also check the situation in every corner of the venue in real time through the visual operation and maintenance management platform system, understand the operation situation and adjust it at any time.

"2021 Physical Education Integration Healthy China" The 4th National College Students’ Skills Competition for Sports Rehabilitation and the National College Sports Rehabilitation Professional Construc

  On October 23-25, 2021, the 4th National College Students’ Skills Competition of Sports Rehabilitation Major and the National College Sports Rehabilitation Major Construction and Development Forum were held in Shanghai Institute of Sport. More than 200 teachers and students from 46 universities across the country met here to meet the professional challenges and competitions of sports rehabilitation skills, and dozens of experts and scholars in the industry gathered together to talk about the construction and development of sports rehabilitation specialty.

  Chen Peijie, Dean of Shanghai Institute of Physical Education, gave a welcome speech at the opening ceremony of the event. He pointed out that in recent years, the Party and the country have placed health in a more prominent position and included "Healthy China" in the strategic layout of the country’s future development, and sports rehabilitation will certainly play an important role in the construction of a healthy China.

Sticking of skill operation

Sticking of skill operation

  Zhao Bin, chairman of the Professional Committee of Sports Health Care and Rehabilitation of China Rehabilitation Medical Association, mentioned that sports rehabilitation specialty is facing a period of rapid development with both strategic opportunities and challenges, and has great development space in talent supply and demand, professional appraisal and career planning. The purpose of this skill competition is to promote and promote the training of applied talents in sports rehabilitation, and to exchange and display the achievements of talent training in various schools. It is hoped that all participating teams can learn from each other, exchange experiences and share achievements.

  Wang Jiahong, head of the technical association group of the National College Physical Education Steering Committee, attended the event and delivered a speech. He mentioned that under the background of the integration of physical education and medicine, healthy China, the construction of a sports power and the construction of a socialist modernization power, a higher level of requirements have been put forward for training compound rehabilitation talents in the future. He expressed the hope that this conference will contribute the latest wisdom to the construction of sports rehabilitation discipline system, academic system, discourse system and personnel training system with China characteristics.

  Fang Guoen, president of China Rehabilitation Medical Association, pointed out at the event that this skill competition is large in scale, high in level, rich in content, lively in form and with many participants. He said that the special committee will, as always, pay more attention to and support academic exchanges, personnel training, scientific popularization and social services, build a high-level and international development platform for sports health care and rehabilitation, and make new positive contributions to sports health care and rehabilitation in China.

  The contest takes "theoretical written test+skill operation" as the competition mode, focusing on evaluating students’ professional basic theoretical knowledge and basic operation skills. The theoretical written test involves sports anatomy, sports physiology, rehabilitation assessment, sports injuries and related sports rehabilitation techniques. The skill operation is divided into two parts: personal operation skills and teamwork. The investigation contents include sports protection skills, musculoskeletal rehabilitation and exercise prescription for chronic diseases. 46 teams from all over the country completed the competition on the same stage in an orderly manner.

Pre-competition discussion

Pre-competition discussion

  After two days of competition, 15 people won the first prize, 30 people won the second prize and 45 people won the third prize, and 80 instructors were awarded the "Excellent Guidance Award". Twelve universities including Shanghai Institute of Physical Education won the first prize, 17 universities including Chongqing University of Arts and Sciences won the second prize, and 17 universities including Hubei University of Traditional Chinese Medicine won the third prize.

  During the event, a national forum on the construction and development of sports rehabilitation specialty in colleges and universities was also held. Twenty-five industry experts and scholars from all over the country, through conveying the latest industry trends and development trends, discussed with the teachers and students attending the meeting related topics of great concern, such as professional development, textbook construction, teacher level, talent training, professional qualification, social employment and so on, from the perspectives of specialty and curriculum construction, talent training and scientific and technological innovation, and gathered and exchanged the most advanced professional ideas together.

  The activity was sponsored by the Professional Committee of Sports Health Rehabilitation of China Rehabilitation Medical Association, undertaken by Shanghai Institute of Physical Education, and co-organized by the Technical Discipline Group of the National College Physical Education Steering Committee and the Shanghai Sports and Health Industry Collaborative Innovation Center.

Brief introduction of the crew members of the wrecked helicopter and their unknown stories

Special topic: Wenchuan earthquake in Sichuan

  Xinhuanet Chengdu, June 10th (Reporter Zhu Yingtao) There were five crew members: Qiu Guanghua, Li Yue, Wang Huaiyuan, Chen Lin and Zhang Peng.


  Since May 12, Captain Qiu Guanghua, together with five crew members, including Li Yue, Wang Huaiyuan, Chen Lin and Zhang Peng, has continuously carried out the tasks of transporting injured people and delivering relief materials in areas with complex geographical and meteorological conditions, with a total of 63 flights, transporting 25.8 tons of materials, transporting 87 relief workers and transferring 234 affected people, including 54 injured people due to disasters.


  Their story


  1. Qiu Guanghua, born in April 1957, is a native of Maoxian County, Sichuan Province, and a Qiang nationality. He is the first generation of minority pilots trained in China. Helicopter captain, four kinds of weather flight commanders, special pilot. He has won second-class merit twice and third-class merit four times. Qiu Guanghua, 51, has more than 5,800 hours of flying experience. In this earthquake relief alone, he flew 63 sorties, and together with the crew, delivered 25.8 tons of relief materials to Wenchuan, Maoxian, Lixian, Wolong, Yingxiu, Gengda, Qingchuan, Beichuan, Pingwu and Anxian successively, transported 87 rescuers of various types, and transferred 234 people affected by the disaster, including 54 people injured by the disaster.


  After the 5.12 earthquake, Qiu Guanghua, who was about to be grounded, took the initiative to find the group leader and asked to go to the front line of disaster relief. Five days later, he learned that his house was destroyed and his parents, who were nearly 80 years old, lived in shacks. Since the day of the earthquake, Qiu Guanghua has flown to Maoxian County for six times, flying over his hometown every time. When rushing the wounded, the landing point was less than 800 meters away from home. While waiting for the lift-off, he still didn’t leave the plane to go home.


  2. Li Yue, born in 1980, is a leader among the young pilots of the Army Aviation Corps. Li Yue is the only child in the family. At the beginning of this year, she just got a marriage certificate. The young couple have a wish: when the task of the army is not tense, they will go out for a meaningful trip and get married. However, from the beginning of the year, the troops carried out the task of fighting against ice and snow disaster relief to the earthquake relief, and he volunteered to participate, and he was always busy, so that the wedding had to be postponed again and again. Li Yue likes photography, and his computer is full of photos of flowers, plants and animals he has taken. He wants to use the lens to leave the most beautiful honeymoon memory in the background of famous mountains and rivers.


  3. Wang Huaiyuan, born in 1961, has 3010 hours of flying experience and is a senior aircrew mechanic of the Army Aviation Corps. He was awarded the third class merit once and the second class merit once. Wang Huaiyuan used to be a fighter pilot, who was grounded because of a slight illness. But he never gave up and finally returned to the blue sky as an excellent aircrew mechanic. In this disaster relief, every time Wang Huaiyuan returned from the disaster area, he brought back a handful of telephone numbers written by the people in the disaster area with cigarette cases and paper shells. As soon as he got off the plane, he kept calling to help the people in the disaster area report peace to their loved ones, but he only called home for more than 10 days. Wang Huaiyuan, who will retire in a few years, has already made arrangements for his retirement-returning to his hometown in Luxian County, Sichuan Province, and planting oranges. His brother suffers from leg disease, which makes him unable to move. He promised his younger brother that he would take his younger brother to a big hospital for artificial limbs after carrying out this disaster relief mission.


  4. Chen Lin, born in 1980, is 28 years old. He is the deputy squadron leader and assistant aircrew mechanic of the Third Squadron of the Maintenance Brigade of the Army Aviation Corps.


  Chen Lin passed the examination in just four years after graduating from the military academy in 2001, and became an aircrew mechanic from a ground mechanic. He was the first technician in the same batch to "lift the air". At the end of each flight, he climbed into the airtight tail beam and carefully checked every part. His squadron has always been at the forefront of the whole regiment in terms of maintenance level. Since the earthquake, in order to let the pilots fly with peace of mind, the regiment has specially set up tents for family members to avoid disasters. But in order not to cause trouble to the group, Chen Lin resolutely refused to let his wife come to the team. At 11 o’clock noon on May 31, Chen Lin’s wife came to visit her father who had not met for more than half a month with her daughter who had just turned one year old. Unexpectedly, this became the last meeting between husband and wife, father and daughter.


  5. Zhang Peng, born in 1984, is a typical "post-80s" soldier and a second-class non-commissioned officer. In this earthquake relief, he volunteered to help each unit load and unload materials. He worked continuously at the airport for more than 12 hours every day and participated in 170 sorties of loading and unloading relief materials, totaling more than 60 tons.


  On the 21st, the Army Aviation Corps held a ceremony to pay special dues to the disaster area. party member was the only ordinary soldier in the long line, and Zhang Peng was the only one. In the first half of the year, the company just listed Zhang Peng as the development target of party member. After the disaster, Zhang Peng has donated money to 100 yuan. This time, he has to take part in the special membership dues activities. As he was in a hurry to start, he didn’t bring much money, so he handed over the only 80 yuan money in his pocket as a special party dues as a non-party member. Gao Yue, the administrator of the management unit of the Army Aviation Corps, said that Zhang Peng’s words suddenly increased since he participated in the earthquake relief. Sleep in the car, walk on the road, and tell your comrades from time to time about the people and things you saw in the disaster area. "I want to adopt an orphan." One night, Zhang Peng suddenly said this. Gao Yue smiled: "You haven’t grown up yourself!" "Growing up is not about age, but whether you know the responsibility and have the courage to take responsibility." Zhang Peng said.


  Their team


  Five crew members are from an aviation regiment in Chengdu Military Region. The regiment is an air force in the Chengdu Military Region. It performs various urgent and dangerous tasks under the complex weather and terrain conditions of the Qinghai-Tibet Plateau and the Yunnan-Guizhou Plateau all the year round. It has rich experience in altitude flight and strong emergency dispatch ability. Since the "5.12" Wenchuan earthquake, the Army Aviation Corps has undertaken the most arduous, urgent and important tasks such as rushing the wounded, transporting materials and sending troops. Created a number of firsts in earthquake relief: the first one dispatched a helicopter to investigate the disaster; The first one arrived in Wenchuan, Maoxian, Yingxiu, Beichuan and other hardest hit areas from the air; The first to deliver food and medicine to the masses; The first to transport the wounded from the disaster area; The first team carrying a communication team flew to Wenchuan; The first to transport communication equipment to the disaster area …


  The earthquake disaster has a high magnitude and a wide affected area, which is extremely unfavorable to flight safety. The affected areas are all in mountainous areas, with small flight space and large airflow in the valley. The officers and men of the Army Aviation Corps braved the dangers and bravely broke into the restricted area. With rich flight experience and excellent flight technology, they successfully completed the task of airlifting relief materials and rushing the wounded in the case of serious landslides and the loss of some navigation signs. As of May 31st, the Army Aviation Corps had flown 1,658 sorties in the disaster area, successfully transported 1,111 wounded people, transferred 1,657 trapped people, delivered 2,119 relief workers and delivered 544.9 tons of materials. (End)

Editor: Li Xian

The Golden Bear was announced at the 73rd Berlin Film Festival, and the spring of Chinese films was quiet.

2moon26Day, day73The 3rd Berlin International Film Festival announced the Golden Bear Award and other awards in the main competition unit.seventy-twoNicolas, a French director at the age of 18.·Philip Bert won the Golden Bear Award for best film for his documentary "A Journey of Perseverance". This is also the successor.2022After the Golden Lion Award at Venice International Film Festival in 2006 fell to Beauty and Bloody Event, the three major European film festivals awarded the highest award to documentary works for the second year in a row.

Journey of Perseverance focuses on a nursing center floating on the Seine River in Paris, where patients and their caregivers have developed a new way of getting along.seventy-twoPhilippe Bert, a silver-haired French director, was very surprised when he took the stage to receive the award. He asked whether the judges were crazy or he was crazy, and bluntly said.This award is too important.".

Nikolai Filibert, director of the Golden Bear Award for Best Film "A Journey of Perseverance" at the 73rd Berlin International Film Festival. Image source: Berlin International Film Festival official website

German director Christian, who ranked second in the score of the field magazine.·Paetzold’s new film "Red Sky" finally won the jury prize. He once won the Silver Bear Award for Best Director for "Barbara", which is also the sixth time that Paetzold was selected for the main competition unit in Berlin. Unfortunately, he still failed to win the Golden Bear Award.

French director Philippe·Garrell won the Silver Bear Award for Best Director for The Big Dipper, and his last film, Salt for Tears, was also shortlisted for the main competition in Berlin three years ago.

In the performance award section, SpaineightSophia, a little girl aged 18·Otero won the Silver Bear Award for Best Actor for his outstanding performance in 20,000 Kinds of Bees, becoming the youngest winner in the history of the film festival. Austrian transgender actress Thea·Iha won the Silver Bear Award for Best Supporting Actor for his performance in "Until Late at Night".

Sophia otero won the Silver Bear Award for Best Actor in the 73rd Berlin International Film Festival. Image source: Berlin International Film Festival official website

Chinese films, includingLiu JianMore than ten Chinese films and dramas, including Academy of Art directed by Lao Xinying and Light of the White Pagoda directed by Lv Zhang, were shortlisted for each major unit of the Berlin Film Festival, but in the end it can be said that nothing was gained. Only the short film Xiaohui and His Cow directed by Lao Xinying won the short film award for special mention in the new generation children’s unit.

In the past two years, because of the COVID-19 epidemic,rightFilmmakersThe most important face-to-face communication activityAlmost impossible.2021The Berlin Film Festival in 2008 had to be judged online. Even if the scale expanded last year, due to strict epidemic prevention measures in COVID-19 and mandatory social distance and mask orders, in the past,That kind of bigHoliday spiritIt no longer exists at the film festival..

In terms of time nodes,sequence73sessionThe Berlin Film Festival is undoubtedly in the true sense.Post-pandemic era"The first large-scaleinternationalFilm Festival. just asThe implementation of this year’s film festivalchairmanMariette RissenbeekTo the media before the opening ceremonyAs you said:Finally, everything can go all out again. Guests can walk on the red carpet again.,Discussions and big parties can also start again."

It is never too late for filmmakers to rejoin a carnival. This is why this year’s Berlin Film Festival is of great significance to Chinese films.especiallySignificant.

Unlike the embarrassment of often absent from the three major European film festivals in the past two years.,At this year’s Berlin Film Festival, Chinese films were shortlisted.ofThe number has clearly ushered in a recovery.——onecommon15Part of the Chinese works was shortlisted for each unit including the main competition, includingeightA feature film,sixA short film,oneSeries. On the whole, this numberHas exceeded the past two years.chinese filmThe total number of finalists in the top three in Europe.

At the same time, thanks to the substantial adjustment of domestic epidemic control policies at the end of last year,moreChinaFilmmakers are finally able to once againGo into battle light and heavy.Back to the international stage.Whether it’s dressing up on the red carpet orattendPress conference before and after the screening,Or go further and send the work to international publishers, this time.Have highlighted.Chinese filmbe on the scene"the meaning of.

Liu Jian, director of Art College. Image source: Berlin International Film Festival official website

The collective appearance of Chinese-language films undoubtedly means that China’s film industry has resumed its connection with the global film industry. However, for the time being, the overall output and creative ability of Chinese films have not really recovered.Vitality, let alone peak..

Whether it’s the number of finalists or the grand prizeOpportunityBerlin Film Festival has always been the most popular film festival for Chinese filmmakers among the three major European film festivals.

The fifth-generation domestic directors have become famous internationally, and almost all of them work with the Berlin Film Festival.DoThe promotion of is inseparable..The early works of Zhang Yimou, Tian Zhuangzhuang, Wu Ziniu and others have almost received the attention of Berlin Film Festival, and Zhang Yimou’s directorial debut.Red sorghumIt is also the first Chinese film to win the highest prize in the three major international film festivals in Europe.

Later, in Berlin, there was a sharing of The Wedding Banquet directed by Ang Lee and The Heroine Girl directed by Xie Fei.sequence43sessionThe grand occasion of the Golden Bear Award.

After that, Jia Zhangke, Zhang Yuan, Wang Xiaoshuai and Wang Quanan, among the directors of the sixth generation, got the attention of the Berlin Film Festival from the first one or two works of his directorial career. Even though Jia Zhangke is now regarded as a Cannes lineal, his first novel Xiao Wu was finally noticed by European critics in Berlin.

Even in the last decade when Cannes and Venice gradually lost interest in Chinese films, Fireworks in the Day, Massage and Forever can still win major awards in Berlin. This year, more than ten Chinese works were selected again, which proves the indispensable bridge value of Berlin Film Festival for Chinese films and filmmakers.

Although this year’s shortlisted Chinese works are regrettable, for Chinese filmmakers,boardThe international stage is still the best opportunity to show Chinese films.take for exampleThe screening of "Deep Sea" in Berlin has caused many overseas media to focus on China.GuodongDiscussion on the rise of painting movies.

Debut at the film festivalof courseNot just aboutawardThese international platforms are also creators.BetweenThe best opportunity to communicate,butThe copyright trading market held at the same time as the film festival is to let more small and medium-sized works return.harvestThe key to Ben.

For those who occasionally applaud in China but often find it difficult to make a seat.literary filmGenerally speaking,This sales channel is an excellent opportunity for producers to get returns, and they once occupied an important position in the film festival trading market. But in the past two years, films from South Korea and India have replaced the former and become the new focus of international copyright transactions at film festivals.

How to let more viewers see it?arrivechinese filmConstantly inBring forth the old and bring forth the new,internationalFilm Festival is still an indispensable and important channel.. butFor cultural and artistic creation, only when communication is maintained can they present their own different aesthetic feelings.

Of course, the reappearance of a large number of Chinese films at the Berlin Film Festival is not entirely so-called.Chinoiserie"It began to sweep across the three major European countries again. In a broader sense, this is more of a bottoming out after the group has been suppressed for a long time, but it is a single bounce.riseIn terms of height, the result is not satisfactory.

This anxiety about the quality of the film actually comes from the words of Du Qifeng, the only Chinese judge at the opening ceremonyrevealClue.I think the movies are poor now, and the movies all over the world are poor. The world where I watch movies by myself seems to have gradually disappeared, and it is no longer the world where I used to watch movies. I hope this is only temporary. It seems bold of me to say so, but I mean it."

On February 16th, 2023, local time, the 73rd Berlin International Film Festival was held in Berlin, Germany. Members of the jury of the main competition unit, Du Qifeng, Francine Messler and Golshifteh Farahani, attended. Image source: vision china

It is advisable to be open-minded when the scenery is long.Although movies are never judged by specific awards, especially the collective jury mechanism like the Big Three in Europe, the personal taste of the jury chairman often dominates the final list of winners, but winning or not is often related to.The film sufferedpay close attentionThe number of.In addition,Field publication mediaofEvaluation and public audience reputation can also show the overall quality of the film from the side.

The last time a Chinese film won the awards of three major competition units in Europe, it was still2019Year,12Three Chinese-language films entered the Berlin Film Festival, and the works of Wang Xiaoshuai, Zhang Yimou and Wang Quanan entered the main competition at the same time, which is also a rare occasion in recent years.

It was also in that year that One Second and Better Days both met successively.Technical reasons"Quit the Berlin competition unit and show.evensuchWang Xiaoshuai’s "Auld Lang Syne" still won.in those yearsBest actor and heroineseatSilver Bears. onlyThat seems to have been the last highlight moment of Chinese films in the three major European film festivals.

In the next three years, the mainland Chinese films that were shortlisted for the three major European film festivals were also left with "Into the Dust".butWhether it’s a field issue or an awardNoneSurprise. The only thing that deserves Chinese filmmakers’ relief is probably the short films of young directors.ofsomeawardDefinitely.

Zhang Dalei is here.2020In 2000, with "Half the afternoon passed"acquireWon the short film Silver Bear Award,2021NianyouChen Jianying’s "A Cliff Rising by the Sea" and Huang Shuli’s "When I Look at You" won the Palme d ‘Or Award and the Best Short Film of Cannes Queer Palme d ‘Or respectively. In terms of age,95After that, young filmmakers finally began to make their mark at international film festivals.

But this does not mean that Asian content is on the ebb in top international film festivals, on the contrary. ZaiguoIn the past four or five years,The attention of the three major European film festivals to Asian worksbegrow with each passing dayof, "Burning" and "Driving My Car" have successively led the Cannes Journal Rating, and the former is even more3.8The score record of the field journal was refreshed. Hirokazu Koreeda and Bong Joon ho have taken away the Palme d ‘Or award from Cannes for two consecutive years, and Asian films are in the limelight.

Only Chinese movies are lost. especiallyIn contrast to Japanese and Korean films,Chinese worksThere is no doubt that both awards and attention are aphasia.Make this lossMore intense.

This lack is not only due to the physical isolation caused by the epidemic.. From the perspective of creation,Over the past few years, Chinese film perspectiveObviously, they all show an inward contraction trend, and the filmCreatorsMore attention is paid toLimited to here and nowPersonal experienceInstead of openly expressing issues of universal significance with an open attitude..

Whether it is the "Light of the White Tower" that director Lv Zhang returned to shoot after many years.,stillLiu JianThe director was once again shortlisted for the animated feature film "Art Academy" in the main competition in Berlin. Judging from the evaluation given by domestic and foreign media at present,theyAll the presentations are about individuals and even expressions related to the director’s own personal memory. This kind of private expression, without a strong personal image style or author’s blessing, is obviously difficult in today’sinternationalGet too much recognition at the film festival,It is even difficult to communicate with the general audience.After all, not every writer and director can be treated like Hong Shangxiu.

Lv Zhang, director of Light of the White Pagoda. Image source: Berlin International Film Festival official website

All along,Berlin Film Festival andGlobal issues andSocial reality connectionEspecially.Close, and in the past few years, Cannes and Venice have also started to award more prizes.awardGiving social reality is direct.shine uponThe work of.

Whether it is "Parasite" and "Triangle of Sorrow" which show the increasingly sharp polarization between the rich and the poor in genre films, or "The Clown" which depicts the surging populism under the guise of super-English genre, and last year,withThe resolution to break up, which innovates the film noir genre and skillfully covers the issues of refugees and gender, is the performance of global filmmakers facing the major global issues in the past decade.

From this point of view, the Berlin Film Festival is in a catching-up position. After Venice awarded the Golden Lion Award to the documentary for the second time in history last year, Berlin immediately conducted business study this year. And this just shows that the current film festival is highly bound to social reality.

Documentary won the Golden Lion Award and the Golden Bear Award in succession after many years’ absence.Expressedfilm festivalofA certain attitude, after all, the drama takes care of reality through exquisite plays, and its strength can’t be compared with the documentary that directly points the camera at reality.

Nowadays, it is very difficult within the system of Chinese movies.againThere is a record as deep as Tiexi District.pieceWorks, dramas, etc.more and moredifficultTowards a global commonrealityThe road of doctrinedraw close, andHidden into the dustandMore than endlessSuch films that have attracted the attention of international film festivals have a tortuous road to release in China. If we completely give up this type of creative theme and the opportunity to empathize with the global audience,Chinese filmmakeraskWant to attract only by skillHave seen it.too muchGorgeous technologyThe film festival judges, the difficulty can be imagined.

existLost three years"After that, it is still worth thinking about how Chinese filmmakers can use film language and image expression to connect with the world again.seriousProposition.

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