Special feature of 1905 film network　See Lu Chuan again. Although it has been more than two years since the last work, Lu Chuan never seems to disappear from public view. There are still many news about life outside the work that can occupy the layout. Fortunately, this time director Lu Chuan came with a new work. It is a very attractive work — — The super popularity of the original work, the curiosity of the theme and the joining of the top special effects team have increased the attention of this film, and the first day’s achievement of breaking 100 million has also proved the box office appeal of the film.

　

　 　 It is difficult to see the shadow of Lu Chuan’s early works in the Nine-story Demon Tower, and it is buried in time. The prosperity of the film market is more about the prosperity of commercial films. Now it can be said that Lu Chuan is basically integrated into this torrent, but the process of integration is like the self-psychological correction of a literary patient, which is very long. His works during the "illness" period are also controversial. He struggled hard between literature and business, and his shooting themes and interests can also be said to be changeable: in Nanjing! Nanjing! ",ran to the ancient" The Feast of the King "and filmed the magical" Ghost Blowing Lights ".The next project is for children to recall" Black Cat Sheriff "… … Lu Chuan, who is back in front of the public again, seems to be more mature, at least his lacrimal gland is a lot stronger. It is interesting to look back on Lu Chuan’s career as a director. The praise, slander, killing and obliteration received by a director for more than ten years can almost drown the water army of the network.

Xinda "Lu" is a brilliant new star with a prominent family background.

　

　 　 Lu Chuan was born in a literary family. His father is a well-known writer and national first-class screenwriter Lu Tianming, and he is still active in the industry. His aunt Lu Xinger is also a writer. Because of his father’s reasons, Lu Chuan received a lot of attention when he applied for the postgraduate degree in the director department of Beijing Film Academy. Many teachers came to see his examination paper. He graduated from graduate school in 1998 and participated in the screenwriter work of TV series the following year. In 2002, the debut novel "Looking for a Gun" was published, which was a blockbuster. After the famous family, the artistic road was open, and Lu Chuan’s life was heading for the peak.

　

　 　 2002 is generally regarded as the first year of China blockbusters. The total box office in that year was about 800 million yuan, while the single-chip box office in Zhang Yimou was as high as 250 million yuan, ranking second in the same year, but the box office was only 56.2 million. The box office of "Looking for a Gun" is 9 million, which is not worth mentioning by today’s box office standards. However, after horizontal comparison, we will find that "Looking for a Gun" performed very well in both art and commerce, with the box office of 12 million films released in Chen Kaige and 7 million military commercial films. Just as the reporter who interviewed Lu Chuan at that time said, "Looking for a Gun" was "a watershed, representing a group of young people who were influenced by DVDs and began to slam the door of mainstream movies outside the strict production system". This "mainstream" largely means that the film can enter the cinema and get commercial benefits. Lu Chuan is undoubtedly lucky. Jia Zhangke, who is also a disc lover, can only appear in foreign film festivals for his third feature film.

Local feelings leading to compassion in Hoh Xil

　

　 　 Hoh Xil is the second work written and directed by Lu Chuan, which better reflects the director’s aesthetic concept than Looking for a Gun. The film uses a large number of non-professional actors and adopts the documentary method of news reporting — — Tibetans, Tibetan language, live shooting in the no-man’s land of Hoh Xil, and more than 100 people went up to sneak up. This production method is easily associated with Italian neo-realism and the new wave of French films. Not only Lu Chuan, but most of the works of the sixth generation directors can find their aesthetic source from these two schools.

　

　 　 However, the production cost of Hoh Xil was about 7 million, which could not be classified as a low-budget film at that time. In fact, the literary "Hoh Xil" has not given up the market, the dramatic conflict of the whole story is not weak, and Lu Chuan’s lens design is also biased towards Hollywood style. It’s a pity that the rough environmental stories are still too small and have not been favored by ordinary audiences, and the box office income of 4 million is far from what expected. If Looking for a Gun still has a strong Jiang Wen label, then Hoh Xil is a "pure" Lu Chuan film. At the end of 2004, "Hoh Xil" won the best film and best photography in the 41st Taiwan Film Golden Horse Award, which was regarded as Lu Chuan’s fame.

1905 movie network news On September 11th, the first comedy film in 2020 starring Bao Beier and Xin Zhilei and starring Wei Xiang was officially released. At the previously opened movie-watching ceremonies in Beijing and Guangzhou, the film won wide acclaim from audiences in the north and south, and was praised as "laughter-intensive" and "decompression weapon", which brought the first laughter in 2020 and became the first choice for the public to relax.

In addition to laughter, Fang Yuan, the "timid" boyfriend played by Bao Beier, and Machamp, the girlfriend played by Xin Zhilei, crossed the "strangeness" in the first day of junior high school. The love story of running-in with each other also touched people deeply, allowing the audience to "see the true appearance of love" and "give people the courage to pursue love bravely", conveying the good wishes of "May the person you love just know you".

　

A few days ago, a poster was released in the film, and Fang Yuan’s circle of friends fixed the moment when he got along with the junior one. The fireworks of life and the joyful atmosphere of the two people’s antics showed the most ordinary but sweetest appearance of love, deeply infecting everyone who loves each other, and with the love declaration of "I know your strangeness, I am your favorite", it poked the most longing love state of contemporary young people. Bao Beier and Xin Zhilei, a new-style couple, mix and match Mahua FunAge’s "cold-faced comedian" Wei Xiang. The contrasting comedy group and the story of "Laughing and Moving People with Emotion" complement each other, adding infinite points to the film.

　

Aspect 1: The first comedy movie in 2020 sends long-lost laughter, relaxes the mood and cures anxiety and love.

　

2020 is a special year for everyone. Although we are facing the pressure of epidemic and all kinds of challenges, it is good to have laughter to accompany each other. Previously, with the full-line resumption of cinemas, domestic war, love and other theme types have helped the industry one after another, and comedy themes that have attracted the attention and love of the audience have followed, and then injected a dose of "laughter" into the film industry. As the first comedy film after the cinema resumed work, the film My Girlfriend is a robot is really a "good medicine" to relax our mood, which brings us a relaxed and happy viewing experience and long-lost laughter.

　

After the previous screening, many viewers talked about "this is the first movie I saw in the cinema this year, and it didn’t disappoint me" and "I haven’t relaxed and laughed in the cinema for a long time since the epidemic". In the movie, the first robot was ordered to come to save the endangered human Fang Yuan, but because of its magical super power and different brain circuits, the story of Oolong was full of laughter, which accurately satisfied the audience’s desire to go to the cinema to relax and laugh easily. Many viewers even spontaneously call for the movie: life is hard, "it’s hard to be happy."

　

Aspect 2: Bao Beier and Xin Zhilei’s contrasting comedy combination acting skills are even affirmed. Mahua FunAge Wei Xiang joined in strength.

　

As the first comedy film in 2020, My Girlfriend is a Robot has brought a new comedy lineup with great contrast to the audience, and the setting that "unintelligent" boyfriend meets "Machamp" girlfriend is even more eye-catching. Bao Beier, with hair, reversed her image, subverted the previous arrogant setting of "rich second generation", made a funny appearance with a "delicate" funny image, and even became an "abused" partner in the film. Not only did her career go wrong, her confession was rejected, but Xin Zhilei smashed cakes and spilled red wine, and she was on the verge of collapse. At the movie-watching ceremony, many viewers lamented "Too bad" and praised "This role is very suitable for Bao Beier". In order to make the performance real, the initiative to ask the group to perform a "real slap in the face" won the audience’s affirmation, but Bao Beier only modestly said that "this is just my job as an actor", and the seriousness was applauded by the audience.

　

Xin Zhilei transformed herself into "Machamp Superwoman" and acted as "funny" with the setting of "unsmiling". The delicate performance perfectly controlled the sexy and cute robot image. "Miracle with great efforts" carried the bus by hand and unlocked the door by hand, and all kinds of oolong that could not be integrated into human society also poked the audience with laughter. After the screening, some viewers mentioned that they had seen Xin Zhilei running around in the hot weather of nearly 40 degrees without sweating and challenging without blinking in the pouring rain, and sighed in their hearts that "this performance is very professional", while Xin Zhilei said that "this is what I should do, as long as everyone likes it" and thanked the crew for their hard work.

　

This time, the "timid" Bao Beier and the "girlfriend" full of Xin Zhilei, all aspects of the new comedy combination are harmonious and complementary, and the first cooperation was praised as "very tacit and full of sparks". The film also has the strength of Mahua FunAge’s "cold-faced comedian" Wei Xiang, who has a unique comedy style, and has become a surprise dark horse in the film. With Xin Zhilei’s fiasco in drinking, Bao Beier, who is flying by, creates all kinds of wonderful jokes and gains the audience’s spontaneous Amway. The first comedy in 2020, created by this contrasting new comedy lineup, is bound to present a relaxed and decompression laughter feast.

　

　Aspect 3: The relationship between "women are strong and men are weak" is updated. Contemporary love illustrations Bao Beier Xin Zhilei laughs at the love running-in problem.

　

The film revolves around the story of the robot being ordered to save the ordinary human Fang Yuan on the first day of the lunar new year. Xin Zhilei’s first day is omnipotent. In her way, she guards and takes care of Fang Yuan, played by Bao Beier, making breakfast for him and helping him lift heavy objects. She is full of "girlfriend power". Their love mode of "women are strong and men are weak" and their role setting are completely different from the previous ones, which breaks the traditional routine and directly addresses the love issues of young people. At the movie scene, the two also talked about their understanding of each other’s roles. "I am a boyfriend with a feminine appearance, and Bao Beier is more like a delicate girlfriend." The brand-new relationship between lovers has injected new blood into the urban love mode, which makes people think.

　

In the process of getting along with Oolong, Bao Beier gradually fell in love with Xin Zhilei, who "doesn’t understand love". His sentence "Why can’t you feel my heart" has exhausted the most bitter problem in love. When people who "can’t love" meet people who "don’t know love", the dilemma of whether they give up or bravely pursue love is even more hotly debated by the audience. Facing the most difficult running-in problem in love, they try to blend into each other’s world. Bao Beier tries to accept Xin Zhilei’s brain circuit which is different from ordinary people. Xin Zhilei keeps learning how to understand Bao Beier’s mood and thoughts, which highlights the importance that both parties in love should understand each other and run in with each other. Their stories not only let the audience see the truest appearance of love, but also triggered a heated discussion on whether love can make you accept and tolerate all the strangeness of each other. Perhaps, "accepting imperfection" is the best answer in the process of running-in for couples. Whether they can solve the problems caused by the obstacles of identity and the contrast of personality, I believe that movies will give us a better answer.

　

Aspect 4: The classic story is localized and adapted perfectly, and the main creation is not afraid of the remake problem.

　

It is reported that the film was adapted from Guo Zairong, and the original partner provided production assistance. With the early accumulation and escort of the original team, the film quality is also fully guaranteed. According to the founder, in terms of adaptation, "the film retains many original classic bridges and prepares a large number of localized designs for the story". Whether it’s Bao Beier’s funny act of trying to wake up the robot with the popular word "giaogiao", Xin Zhilei’s strange act of "working miracles" to lift the bus, eating fish without spitting thorns, and using perfume as a drink, or Wei Xiang’s "I’m an old man but I can’t drink a woman" way of spelling wine, it all shows the ingenious design of localization. The original adaptation of the main creators has been evaluated by the audience as "a Chinese-style joke, which has overcome the problems of many remakes."

　

In terms of role-building, Bao Beier said, "The role I played this time is a 30-year-old adult, which can better represent the image of the young people at the bottom of the city." He stubbornly moved forward under the pressure of life, so that every struggling young person could see his true miniature. Xin Zhilei said that he had "created a localized robot image", which was very different from the roles he had played before. The new nickname of "human packer" made the audience laugh. Wei Xiang’s surprise appearance added a brand-new highlight to the film. As a friend of Bao Beier, he frequently staged "God’s assists" in the film, and his authentic Chongqing dialect was more grounded, which won the audience’s praise again and again. I believe that the ingenious and wonderful adaptation of the film will definitely bring unprecedented surprises to the audience.

　

Aspect 5: Bao Beier Xin Zhilei and his hometown lead the audience to reminisce about their childhood. "Don’t meet, cherish the present" makes people cry.

　

　In addition to laughter, the love story between Bao Beier and Xin Zhilei, and the family nostalgia of meeting their relatives "from a distance" when they returned home together, moved people with emotion and made them cry. In the film, the two returned to their hometown where Bao Beier grew up. In the familiar streets and lanes, Bao Beier seemed to see his most missed relatives and carefree childhood self again. When he opened the treasure chest of his childhood, he seemed to have returned to the "time when you can be happy with a candy", expressing the voice of every stubborn adult "can you stop being an adult" and poking the soft hearts of countless audiences. When grandma, who hadn’t seen for a long time, appeared again, his appearance of weeping with joy and the warm memories of flashbacks made many viewers feel the same way, and some even choked up and said, "Cherish the people in front of you, because there will be no chance in the future." The messages of "I miss you, will you come and see in my dream" and "Will we meet again?" make people cry.

　

Bao Beier also shared her touching memories with her grandmother. "Grandma suffered from cerebellar atrophy before she left, and even though she doesn’t remember me, I still love her." Xin Zhilei responded that "the hometown in the movie is exactly the same as my home. I was brought up by my grandmother, and I never dared to go back to my hometown when I grew up. Some things are the best in my memories." Their endless yearning for their hometown and relatives brought the audience back to their carefree childhood and recalled their heroic dreams. I hope everyone can find their most beautiful memories in the movies, and I hope that time will live up to the encounter and unforgettable memories will last forever in my heart.