Sean Xiao was interviewed by Oasis.

　　　　　　 Recently, Sean Xiao accepted an exclusive interview with Oasis. In an exclusive interview, Sean Xiao said that Oasis is a place where you can send whatever you want, and there are not so many rules, and laughed that scenery and food content are most likely to get your own praise. Talking about the recent frequent replacement of the Oasis head portrait, Sean Xiao admits that he is always casual, and uses childhood photos because fans have downloaded many versions, which is very interesting.

Asked about the difference between work and life, Sean Xiao used two metaphors: actor Sean Xiao is a "gear", because the gear needs to launch energy, and he also takes it as his work goal; Xiao Zhan in life is a "sofa". He wants to be comfortable and make people around him comfortable. As for which area of the oasis I want to challenge most as KOL, Sean Xiao said: "Gourmet bar, I have always wanted to be a pastry chef."

"I will not deliberately open my business in the oasis, and I will send whatever I want."

Sina Entertainment: What does Oasis mean to you?

Sean Xiao: Actually, it is to let everyone see something closer to everyone. Oasis is now a place for me to post whatever I want, and there are not so many rules and regulations.

Sina Entertainment: What kind of content do you prefer to send Oasis? What kind of content do you prefer to send to Weibo?

Sean Xiao: I didn’t make a distinction. I think I can send Oasis today, and I will send Oasis to Weibo. I think I can send a landscape photo today. Actually, you can’t send emoticons without saying Weibo. I will send them, too. Look at the mood, be casual.

Sina Entertainment: What is the business frequency of pets and expression packs in the oasis?

Sean Xiao: I really didn’t say "I want to open my business today" or "What am I going to send today" on the oasis. I think I just want to send whatever I want, and I will send whatever I want when I see anything interesting.

Sina Entertainment: Don’t worry about sending other small animals, is the nut girl jealous?

Sean Xiao: No, nuts are their own. No matter how cute other pets are, they are also others’.

Sina Entertainment: How did you choose the head of Oasis?

Sean Xiao: Oh, my God, I think it’s casual. Didn’t I send a photo of my childhood that day, and then I watched everyone P a lot of editions, which I thought was quite cute. I said, why don’t you change the head of the oasis, just change the photo of my childhood. Spongebob: I think it means to be happy every day. I hope everyone can be happy, too. I smiled when I saw that smile, so I thought I could share it with you. I hope everyone can be happy, so I came out.

"Actor Sean Xiao is a gear, and Sean Xiao in life is a sofa."

Sina Entertainment: What is the most likely thing to be praised by Sean Xiao?

Sean Xiao: Pets, Scenery, Food.

Sina Entertainment: Like what kind of pet? Chai Chai?

Sean Xiao: Everything is OK, cats and dogs. Recently, I still like what’s its name? It’s a lovely big mouse. I forget its name. It seems to have a professional name, so it’s cute.

Sina Entertainment: What’s the P of the red cloak for the photo of "The Rest of My Life" on the oasis?

Sean Xiao: I just use Photoshop mobile version.

Sina Entertainment: Is that a lot of layers?

Sean Xiao: Actually, it’s fine. Just three or four floors.

Sina Entertainment: Why did you think of painting this?

Sean Xiao: At that time, I was just finishing the painting, and then I felt very tired, because it was actually a state of high-intensity continuous rotation. I remember that I went to sleep after finishing the painting, and I slept from the afternoon until about 9: 00 or 10: 00 the next morning. After I got up, I drew a picture of this, which I felt meant that I was revived with blood and ushered in a new stage.

Sina Entertainment: What is the biggest difference between Sean Xiao at work and Sean Xiao in life?

Sean Xiao: I think Sean Xiao at work wants to do everything seriously. This is a point that I can sum up myself. Then the Sean Xiao in life is as comfortable as it is, very casual.

Sina Entertainment: In one word, actor Sean Xiao is _ _ _ _, and Sean Xiao in life is _ _ _ _?

Sean Xiao: Wow, actor Sean Xiao is a gear, and then Sean Xiao in life is a sofa. Gear is to turn, to start energy, to operate energy, you have to let everyone see your energy, and gears are all card by card, which is to be accurate. Although I don’t think I’m as accurate as a gear now, let’s do it according to that goal, and of course we should take the work seriously. If I live, I hope my private life can be like a sofa, so that I can feel comfortable and the people around me can feel comfortable.

Sina Entertainment: If you want to be an oasis KOL, in which field do you feel most confident?

Sean Xiao: Good food. Actually, I’ve always wanted to be a pastry chef. Let’s talk about it if we have time and opportunity in the future.

Sina Entertainment: What fields do you want to see most in the oasis?

Sean Xiao: Pets, food and scenery, that’s about it.

　　CCTV News:At ten o’clock in the morning, Zhou Jie opened WeChat, skillfully copied a few paragraphs, and posted them in the WeChat group of "Cai Tuan Tuan 1 Group" on the hour. In the message he just sent out, he used several exclamation points to say hello to the group members. A string of WeChat expressions followed by "Today’s Special: Farmer Strolling Chicken" also made the whole message vivid, even though he was still a little sleepy.

　　Zhou Jie graduated from university in 2018, and then he got a job in Beijing, rented a one-bedroom apartment in Daxing District and started a nine-to-five life. Before the Spring Festival this year, Zhou Jie went home on holiday, and soon after returning home, the COVID-19 epidemic broke out.

　　At first, Zhou Jie spent every day in anxiety, not knowing when the epidemic would pass, let alone when he could return to work. Just in this "idle" "house" life, Zhou Jie suddenly came up with a new idea — — He wants to sell vegetables full-time.

　　Online food and meat sales have been Zhou Jie’s part-time job for the past six months. At first, Zhou Jie’s father contacted several local suppliers of vegetables, meat and poultry, and made a simple WeChat applet to sell online. Zhou Jie just laid a hand on it and didn’t care about this part-time job.

　　Although the epidemic has had a great impact on traditional consumption and industry, it also contains potential and opportunities under pressure. "Home economy" is popular, and "no meeting" has become fashionable. New opportunities are in front of Zhou Jie.

　　At the end of January, Zhou Jie took over the online vegetable selling platform from his father, and he wanted to transform this humble WeChat applet. From contacting suppliers, market research, maintaining the background to distribution and after-sales service, he did it himself, and gave this small program a name called "Cuisine Tuantuan", hoping that this easy-to-remember name can be branded locally.

　　During the epidemic period, everyone stayed at home, and playing games became a "standard" every day, and Zhou Jie was no exception. But gradually, it was hard to find Zhou Jie in the game team. When friends invited him, he always said, "Sorry, I want to get ‘ Dish group ’ I can’t play today! " In the WeChat group of Zhou Jie and his friends, there are more and more design schemes for the "Cai Tuan Tuan" applet page. Zhou Jie always asks in the group, "Do you think this looks good?"

　　In order to promote the applet, Zhou Jie also launched a WeChat group called "Caituantuan". In the process of previous research, he found that some local older customers prefer to buy things in the form of "group purchase", and compared with WeChat applet, WeChat group is more in line with their communication habits. As a result, Zhou Jie sends news of buying vegetables and meat and poultry in the group at ten o’clock every morning, and answers customers’ questions in the group at any time.

　　"Boss Zhou" is a new name for Zhou Jie by friends. Several friends in Zhou Jie are still "trapped" at home because of the epidemic. They are full of envy when talking about Zhou Jie’s "new job". In their eyes, it is difficult for college graduates to be associated with "selling vegetables". No one thought of employment choices, but Zhou Jie took a new path.

　　Xiao Lu still remembers playing with Zhou Jie at the end of December last year. The game was suspended by a phone call received by Zhou Jie. After receiving the phone call, Zhou Jie began to handle the business of "Cai Tuantuan" in the background of WeChat applet. Xiao Lu leaned over and saw that the turnover of "Cai Tuantuan" was 59 yuan that day, and when Zhou Jie was asked three months later, the monthly turnover of "Cai Tuantuan" had exceeded 6,000 yuan.

　　In March, Zhou Jie’s company in Beijing told Zhou Jie that if he could not go to work before March 10th, Zhou Jie would be treated as "leave without pay". Zhou Jie didn’t hesitate for a long time, so he resigned from the company.

　　Neither the job in Beijing nor the online sales platform is Zhou Jie’s career ideal. His English is very good, and he wants to take a teacher qualification exam and become an English teacher. While dealing with the "food group" business, he has bought a set of books for preparing for the teacher qualification certificate and is studying. These days, he also interviewed several English-related positions. Fortunately, a company has sent an employment notice for the position of "foreign trade salesman".

　　For Zhou Jie, with one more effort, life will have one more choice button. Which button will he press in the near future?

　　At eleven o’clock in the evening, CC pressed the button to start the live broadcast. Network anchor is a part-time job that CC has been looking for in recent months. Before doing the webcast, CC had just graduated from university for one year, and his job was to sell household products.

　　The Spring Festival holiday should have been the best time for CC’s sales performance. However, due to the epidemic, offline sales stagnated, and CC had to start to establish online contact with customers and start online sales. However, the effect of online sales is not ideal, and there is no big discount, which can’t attract customers’ attention. Invisible and intangible products will also make customers have many doubts. CC has almost no performance.

　　For CC, the outbreak of the epidemic is more like a boost, pushing him to the career of network anchor. At first, CC just felt that this profession was "capable and interested". Moreover, in the absence of sales performance, he needs to find another job that can support his life.

　　Every night at eleven o’clock, CC will start the live broadcast on time. When being an anchor, he should not only keep an active mind at all times, but also actively throw out questions to keep the live broadcast room quiet, and also have clear ideas to solve the problems that the audience keeps asking. CC found that the network anchor is not a brainless job, but a job that needs "strength" very much.

　　The more energy you put into it, the more interested CC is in the career of network anchor. He has made a plan, and will study vocal music and broadcasting first in the future. With more professional skills, he can better support his anchor career. In the future, the anchor will also become his full-time job.

　　Every night from eleven o’clock to one or two o’clock at night, CC will broadcast live on the Internet, and he will still be doing sales work during the day. His day is fully scheduled. He said: "No matter how tired I am, I have to hold on. This is my own choice. I am tired just to live a better life."

　　The new opportunity was in front of us, and CC felt that she had seized it. (Text/Wang Yuxi)

　　(At the request of the interviewee, pseudonyms are used in the articles. )

The Peking Opera "Mother" performed by Wuhan Peking Opera Theatre created an extraordinary mother-Ge Jianhao. Her son Cai Hesen and daughter-in-law Xiang Jingyu were both famous early leaders of the Communist Party of China (CPC), and her daughter Cai Chang was one of the earliest party member in the Communist Party of China (CPC), a pioneer and outstanding leader of China women’s movement. As a pioneer and revolutionary of women’s education in China, Ge Jianhao is admired by people for her persevering and inspiring personal struggle and ups and downs of revolutionary experience.

The Peking Opera Mother tells the story of the heroic mother Ge Jianhao and her revolutionary battles with her children and daughter-in-law with a dramatic and modern stage paradigm, bringing the audience into that magnificent red revolutionary era.

The story was refreshing from the beginning. The author firmly grasped the legendary experience of the heroic mother Ge Jianhao and made a fuss: in the late Qing Dynasty and the early Republic of China, the social situation was turbulent, and the old and new ideological trends collided fiercely. Ge Jianhao broke through the shackles of the feudal society for thousands of years and boldly safeguarded the dignity of marriage-divorced his concubine. The screenwriter put such a plot at the beginning of the whole play and took the lead. In fact, there are many women who dare to fight in love and marriage in operas, such as forcing Zhu Maichen to divorce her Cui Shi in "Broken Mountain" and coaxing Zhou She to write a divorce certificate in "Saving the Wind" to save her sister Zhao Paner. But no matter how fierce their struggle is, they still can’t get out of the feudal ideological framework that men are superior to women. And Ge Jianhao’s way of treating marriage has more modern female subjective consciousness. At first, she took her children thousands of miles to Shanghai to find her husband, Cai Rongfeng, and just entered the door, she met Cai’s concubine, Yan Hong. Ge Jianhao resolutely resisted, based on Qiu Jin’s "women’s self-reliance" theory, put forward "Hugh’s theory", simply solved the problem neatly, led the children home, and ended the marriage.

In the following story, Ge Jianhao enrolled with his children and grandchildren at the age of 50; Change Grameen’s name to Ge Jianhao in public; Put your feet for your young daughter Cai Chang; Stop Cai Rongfeng from selling women as concubines; Selling ancestral gold rings supports children to study abroad and return to China to serve the motherland … Many details show Ge Jianhao’s courage and perseverance.

"Studying Abroad" is a turning point of the whole drama from comedy to serious sadness, and the theme of the play has also changed from the history of women’s personal inspirational growth to the shaping of heroic mothers who adhere to revolutionary beliefs and bid farewell to martyrs’ children and daughters-in-law. At this point, the plot moves from clear and lively externalization of contradictions and conflicts to deeper dissection and rendering of the characters’ inner feelings, and the story progresses gradually, and the expression form moves from pure realism to the combination of freehand brushwork and realism. The addition of large lyric aria creates space for the second creation of Beijing opera singing.

Ge Jianhao’s actor Liu Ziwei is the pillar of Wuhan Peking Opera Theatre. In the aspect of composing modern operas, she led the team to work hard for many years and explored a road of innovation of "Han School" Peking Opera which is different from Beijing School and Shanghai School. In the view of art, she pursues the concept of "great drama", highlighting drama and mixing various cross-border art forms. In performance, she learned from others’ strong points, changed from one teacher to another, played down the genre consciousness subjectively, broke down the barriers of operas, and avoided the homogenization and facelift of roles. She is a rare artistic practitioner. Liu Ziwei is good at career spanning. In the past, his roles were more inclined to Hua Dan, Tsing Yi, Hua Shan and other young and middle-aged people. In Mother, Ge Jianhao was over 40 when she appeared, so Lao Dan’s scenes were obviously aggravated. In most plays, everyone called her "the old lady". This adds an important puzzle to Liu Ziwei’s role gallery. She is ingenious and uses Hua Dan’s skills to interpret the characters: in the scene of Kao Xue, she changed her name in public and claimed that she was a "newborn" young man. Since then, in the performance of the couplet question and answer, she completely recited and performed in the tone of Little Hua Dan, and interpreted the hidden girlish feeling in the characters’ hearts. This dislocation is very creative.

Huang Dingshan, the invited director of Wuhan Peking Opera Theatre, directed the play. He is a versatile director who is good at crossing borders. He has previously directed many types of plays, such as drama, opera, musical, opera, film and television drama. This integration of multi-artistic categories coincides with Liu Ziwei’s view that team drama is higher than "drama". In the play, the use of parallel montage, fade-in and fade-out transitions, high-light close-ups and intricate narratives, the jumping-in and jumping-out of the chorus and modern dance troupe, and the ease between the two roles of group performance and commentary are all distinctive features and highlights.

In "Biezi", the director used the change of light and shadow to perform a thrilling miniature pantomime. Ge Jianhao kept watch for the underground party comrades at the meeting in Shanghai alley. When she found that the spy was approaching and informed the people in the house to move in time, she and the spy were alert to shuttle back and forth between bamboo hangers drying clothes and quilts. At this time, the main lights on the stage were all extinguished, and only the chasing light that was a diversion led the audience’s line of sight. Another typical scene is the arrest of daughter-in-law Xiang Jingyu. The director used the rapid switching of light and shadow in different positions on the stage to enter Beijing Opera in film and television language, with group dance and increasingly tense atmosphere music. In just a few minutes, it condensed a series of actions such as Xiang Jingyu’s meeting with comrades working underground, holding a meeting, being betrayed by traitors, being surrounded by spies in the crowd, being imprisoned, being killed, etc., which was as thrilling as a spy war movie.

Singing teams and group dancing scenes are widely used in the play. There are Beijing dialect chorus, bel canto chorus and Hunan dialect folk song chorus; There are also the integration of traditional Peking Opera tunes and symphony melodies, and the interweaving of Peking Opera martial arts routines, copying scenes and modern dance performances, which have built a three-dimensional and sensible overall structure for realizing various functions such as rapid transition, setting off the artistic atmosphere of specific scenes, and making comments in time during the story process, greatly enriching the stage expression of Peking Opera.

In addition, in the background of the stage, the old photos of the prototype characters in the play are superimposed, and the projection and restoration of specific historical scenes are combined with the physical landscape to create a nostalgic feeling like a film movie. With the stylized performance of Peking Opera in the open field in the foreground, the whole stage is turned into a big picture frame, bearing the moving images of the revolutionaries who are dusted by history but will not be forgotten, with a long aftertaste.

Generally speaking, the Peking Opera Mother continues the production concept of Liu Ziwei’s team in Wuhan Peking Opera Theatre, and puts Ge Jianhao’s legendary experience of half a life of twists and turns on the stage with the individualized artistic practice of "Han School" Peking Opera, adding a lot of color to the image of revolutionary mother on the Peking Opera stage.

(Author: Luo Song, editor-in-chief and editor-in-chief of China Drama magazine)

Life is a prosperous and lonely journey. For women, private life and physical needs are the source of soft beauty in their hearts. In this noisy and busy world, we are often troubled by various external pressures, but we rarely have the opportunity to really listen to our inner voices. However, only by exploring private life and satisfying one’s own needs can one find inner peace and self-worth.

In life, many women often ignore their private lives because of various pressures such as work and family. They find time to pursue their careers and take care of their families, but rarely leave themselves a peaceful world. However, we should understand that private life is not only the pursuit of material enjoyment, but also a kind of care for the deep heart. For example, when you are immersed in a book and enjoy the emotional shock brought by words; When you walk in nature, feel the warmth and comfort of the earth; When you enjoy a performance alone, you feel the charm of music; When you sit quietly by the window, savoring a cup of fragrant coffee. These are small fortunate things in private life, which let us find ourselves and appreciate the beauty of life.

Moreover, women’s physiological needs are also an important part of the beauty of inner softness. In those days of each month, we often suffer from both physical and emotional pressures. Sometimes, we feel tired, fragile and even depressed. However, we should also dare to say to ourselves, "This is my unique existence and my glory as a woman." Because only women can feel the pain and inconvenience caused by menstruation, and only we can really enjoy the relaxed and mysterious power that gives life after the pain. In this special period, we can choose to pay attention to our physical changes, adjust the pace of life, and give ourselves some opportunities to relax and pamper. Whether it’s a beauty care, shopping with girlfriends, or listening to a piece of music quietly, we can get rid of the bondage of pain and glow our inner softness and charm.

Perhaps, in the pursuit of material and utilitarian society, some people will think that women’s private life and physical needs are only trivial details in life. However, it is these trivial details that constitute the most beautiful music in our lives. By exploring the soft beauty in our hearts, we can better connect with ourselves and find inner peace and strength. Don’t be afraid to slow down and be alone, because only by balancing with our private life and physical needs can we truly live ourselves and feel the beauty of life.

Let’s stop in a hurry and listen to our inner voice. In the hustle and bustle of the times, to seek that quiet and soft, appreciate the dribs and drabs of life. Private life and physical needs are the only pure connection between us and the world, and also the stage for us to show the beauty of softness. Only by exploring and satisfying this softness can we face the challenges of life with a more calm and firm attitude and live our true selves.

Let’s explore the soft beauty of women’s private life and physiological needs, meet ourselves in the deep heart and find our own happiness and happiness. Let’s take that step bravely and become women who really pursue the soft beauty in their hearts.

# Women # # Emotion # # Love # # Physical and mental health # # Women’s life # # Self-care # # First article challenge # # I want to make headlines #